Plaint and Praise

Egg by Elizabeth Brown; photograph (c) Katherine Brown

And when he opened the fifth seal, I saw underneath the altar the souls of those slaughtered because of the word of God and because of the witness which they had. And they cried out in a great voice saying, “Until when, O Master, holy and true, do you not judge and vindicate our blood on the ones dwelling upon the earth?” And it was given to them each a white robe, and it was said to them that they would rest yet a little time until they would be fulfilled also their fellow-servants and their brothers the ones who were about to be killed as even they.

Rev. 6:9-11 (my translation; NRSV linked)

The lectionary text is Rev. 7:9-17, but I’m sitting with 6:9-11. I’m cheating on the lectionary because there is something in me that wants to protest with the souls under the altar and is not yet ready to skip ahead to praise. Besides, notes from Rev. 6 resonate in Rev. 7: white robes (6:11; 7:9, 14), slaughter and tribulation (6:9; 7:14), a great-voiced cry (6:10; 7:9-10). In Rev. 7, the multitude cry praise; in Rev. 6, the souls cry plaint. The protest comes first. The text itself requires it. The fifth seal must be opened (6:9) before the sixth (6:12).

The first four seals have called out four horses, white and red and black and pale green, and death rides the pale green horse (6:1-8). No additional rider nor convulsion of earth or sky occurs when the fifth seal is opened. Instead, the opening discloses something that seems to be ongoing, ‘tas psuchas’ are already underneath the altar. Psuchē, here translated ‘soul,’ is a term that suggests life and animate existence. Yet these psuchēs have been ‘slaughtered’ for the ‘word of God’ and ‘witness they had’ (6:9)

What ‘witness’ did they have? What does it have to do with the arc of the action: the insistent demand, the reported response? And why is ‘witness’ — of all of the details in this tight-packed pericope — the note that calls me, when I had been so sure ‘protest’ was the summoning tone?

Witness is a significant motif throughout Revelation, as noun and as verb, ‘testimony’ and ‘testify.’ John declares he ‘witnessed to the word of God and the witness of Jesus (1:2). This word and witness is the reason John is on Patmos (1:9), though it’s unclear whether John is there because of John’s witness to Jesus or the faithful witness (1:5) Jesus’ own witness. It’s unclear whether the souls were slaughtered because they witnessed to Jesus or because they held Jesus’ faithful witness. Maybe these two possibilities are the same, a holding fast to the one who is ‘holy and true’ (6:10) with such sublime assurance of that one’s faithfulness that great protest can be cried. ‘Until when…!’ The souls have suffered the gulf between earth’s justice and the Lord’s, yet they have glimpsed God’s reign and cannot un-see it nor refrain from saying what they have seen. They cry out for vindication as if vindication of them is vindication of God. God’s faithfulness can be demanded because God is faithful.

‘Until when!’ It’s not a request for information but an insistence on response. Response is given: a white robe and the instruction to ‘rest yet a little time,’ an implicit promise not only of nearness but of purpose in the reference to unnumbered others still to be ‘fulfilled.’ That word resonates with implications of an expectation satisfied, an end accomplished. The one called ‘holy and true’ is also ‘faithful witness,’ seeing and hearing the souls whose witness led to their slaughter, and insisting on response, insisting in response that fulfillment is near. And it comes — at least in part — through the tenacity of this mutual witness work.

I came to this text identifying with protest because I am tired. Each hopeful turn in time seems uncurled by the next day’s news. I came to this text identifying with protest because protest seems the dominant note in every day’s news — yet protest defined in bullhorn-blared absolutes that brook no dissent on either side. I know the exact same urge to cry out. I need another model of demand. I came to this text identifying with protest, and I leave the text carrying its insistence on identity in relationship, reiterated cry and reply. Faithful witness as protest that speaks to the other in expectation of answer; faithful witness as heeding protest and giving reply (the white robe, the promise words); faithful witness as protest that receives that response and moves forward through it towards an end, holy and true.

I witness to God’s righteousness not by blaring it trumpet-loud at another but by living it with another. In discussion and dialogue and, yes, argument, so long as it’s argument with, not at. I witness to God’s righteousness by living it in relationship with God’s word and with my neighbors’ words, a conversation that calls all of us to account for how we occupy the spaces in-between and how we acknowledge all the in-between-ness of our inherently partial discernment of God’s absolute being.

I witness to God’s righteousness as I navigate the present gap between word and world in the way of the faithful witness, who was dead and is alive: seeing and hearing and knowing this world, suffering its brokenness, loving it dearly, speaking and working to lift it toward life.
‘Until when, O Master, holy and true…?

First, we worship

Egg and photography (c) Katherine Brown

After this I looked, and there in heaven a door stood open! And the first voice, which I had heard speaking to me like a trumpet, said, “Come up here, and I will show you what must take place after this.” At once I was in the spirit, and there in heaven stood a throne, with one seated on the throne! […]

Then I looked, and I heard the voice of many angels surrounding the throne and the living creatures and the elders; they numbered myriads of myriads and thousands of thousands, singing with full voice,


“Worthy is the Lamb that was slaughtered
to receive power and wealth and wisdom and might
and honor and glory and blessing!”

Then I heard every creature in heaven and on earth and under the earth and in the sea, and all that is in them, singing,


“To the one seated on the throne and to the Lamb
be blessing and honor and glory and might
forever and ever!”

And the four living creatures said, “Amen!” And the elders fell down and worshiped.

Rev. 4:1-2; 5:11-14 from Rev. 4-5.

The Thursday before Easter, I drove to church for evening worship. The sky was still light; the fading day was not yet done. Other cars were on the road, pedestrians on the sidewalk. I read their bags and backpacks as showing them headed home from work or school; maybe some — how many? — were headed to church themselves. I drove past a road down which lives one of my seminary-sisters, and I thought of her already, like me just then, headed to her own Maundy Thursday service. The thought made me smile: each of us in her own way an agent setting the stage for this act of underground theater, distributively produced, dispersed in myriad settings, with different music, liturgy, vestments, but a sameness of end: the lauding of Christ.

I’d text later, I thought, not just her but the group.

I received a text even before I’d sent one out; I saw it after worship, once I was home. Another of my seminary sisters sending prayers for strength for us all as we worked our way toward the cross and on beyond it. A flurry of texts then followed, as we each checked in, confirmed our companionship along the way and, so doing, confirmed our commitment to the way. The awareness of being accompanied helped firm our will and ability to keep on keeping on. The contact knit us more closely together and together knit us more closely to Christ as we renewed awareness of so many acts of worship in varied times and places, and the way our own particular parts fit within that heavenly whole.

Reading Rev. 4-5, I think again of the texts sent that Thursday night, texts sent Easter morning; a Triduum of text connection. John is on Patmos on account of the word of God and the witness of Jesus; John is a brother enduring in tribulation (Rev. 1:9). John is given a revelation to proclaim to the churches — not just a word of per-church instruction for each of the seven (Rev. 2-3) but a glimpse for all of ‘what must take place’ (1:1, 19; 4:1). Yet in order to see what will be, John must ‘come up here’ and see what currently is (4:1). What John sees is worship. Worship of the one on the throne (4:2-11). Worship of the lamb ‘standing as slaughtered’ (5:6-12). Worship of them both — the enthroned one and the slaughtered one — both worthy of acclaim for having created all (4:11) and for having ransomed from all, saints, for having made a kingdom and priests to God (5:9-10). John looks and John hears worship (5:11): ‘Every creature in heaven and on earth and under the earth and in the sea, and all that is in them, singing … blessing and honor and glory and might’ (5:13).

Every creature. I in my car on my way. The one who texted me on hers. All of us as we plan and prepare and vest and process … and log onto Zoom, and copy-paste the prayers in the chat … All of us in our own times and places and ways joining our worship into one, joining ourselves on earth with the ‘up here’ of heaven.

John is granted a glimpse of ultimate worship he may not have known he needed. But the one who called John knows what John needed — what we need to witness so that we can tell it on. In heaven a door stood open and summons was trumpet-sounded, ‘Come up here and I will show you what must take place after this’ (4:1). John must see and hear and recognize worship before John is able to see or hear or recognize anything of what is about to be. Worship tunes his perception. Worship tunes our own, reminds us of company, firms our will and ability to keep on keeping on, enduring through tribulation in hope, in trust of God’s promise, knowing that our earthly praise echoes and is echoed by that which was first and is last.

We worship because the LORD is God to whom our worth is due.

As we worship, we re-member ourselves as a kingdom of priests, each charged to live a particular part within God’s heavenly whole. We re-aim ourselves towards the practice of resurrection, until our acts of underground theater expand the sites of production from set-apart spaces and times to perform all the dailiness of being and needing and longing and joy with the conviction of sustaining love.